We are living through a scamming golden era. American pop culture loves a scammer, especially when an individual uses the self-improvement narrative foundational to our economic system for personal, albeit criminal, benefit. This fascination is heavily represented in the media, whether it be feature films on Tammy Faye Bakker using her televangelist audiences as cash cows or the journalistic fascination with Caroline Calloway and her steeply priced ‘creativity workshops.’ Elizabeth Holmes, famed fraudster and biotech giant, has both a buzzy miniseries and film about her coming out soon. Still, none have captured this scamming fascination quite like the story of Anna Delvey. Delvey built herself a life as a fake German heiress and New York socialite and was ultimately arrested for defrauding banks, hotels and friends of thousands of dollars. Shonda Rhimes recently adapted this story into a Netflix miniseries, “Inventing Anna” (2022), which attempts to translate Anna Delvey’s crime trajectory into a television drama. Though the series fails at many of its basic entertainment goals, it is effectively able to capture the glory and downfall of scamming that so intrigues American culture.
The show tells two dueling narratives: one of Anna Delvey (Julia Garner) and her scamming fortunes and one of Vivian Kent (Anna Chlumsky), a stand-in for real life journalist Jessica Pressler who initially uncovered the Anna Delvey story. The narrative centers on Kent’s…
